Horror Channel talks to Lance Henriksen

This week the Horror Channel began running the series Millennium. What better way to celebrate that then with a brand new interview with lead actor Lance Henriksen? With the help of Back to Frank Black staff member James McLean, James Whittington from the Horror Channel had the chance to interview the acting legend.

You can read part one of this fascinating interview right here. We here at Back to Frank Black are proud to have been able to put this together. Keep checking back on the blog for the second part of the interview!

Midnight of the Century T-shirt available in the Back to Frank Black store!

The Back To Frank Black merchandise shop now has a new garment for the winter season! This is the exclusive "Midnight of the Century" inspired top!

Click here for more details!


$31.80 - all money from our shop goes to funding this campaign. This shirt will be great for Christmas/New Year - and all year round, really!

What the Killer Sees: Ricardo Clement

Killer: Ricardo Clement (Bob Wilde)

Episode: “Gehenna” (1 November 1996)

Writer: Chris Carter

Director: David Nutter

Quote: “Something happened down in San Francisco.” --Frank Black

“Anything you want to talk about?” --Catherine Black

“I'm just confused about something I thought I understood about evil. What it is, exactly.” --Frank Black

“You mean, what causes it?” --Catherine Black

“It seems that the old biblical concept of the devil's influence has lost any currency.” --Frank Black

“I just think the language has changed. I think science and psychology have given us a clearer idea of why people commit evil acts. I see it every day – abused kids become abusive adults.” --Catherine Black

“So the true source of evil is us.” --Frank Black

“You mean, are we all capable of it?” --Catherine Black

“Or is there something out there – a force or a presence – waiting until it can create another murder, another rape, another holocaust.” --Frank Black

“I think it's something that everyone who looks deeply at life wonders.” --Catherine Black

“What would you tell a child? What would I tell Jordan?” --Frank Black

“Maybe you should just tell her goodnight.” --Catherine Black

Profile: Ricardo Clement is perhaps even more of a mystery at the end of his encounter with Frank Black than he at first appeared. What we do learn of him for sure, however, is his position as a sinister cult leader with a deadly agenda.

The cult leader tends towards a dictatorial regime, controlling his subjects through manipulation and often by preying on the weak. It is for this reason that former member become victim Eedo writes to his family with such genuine conviction about the beliefs of the cult to which he has fallen victim. We see evidence of this manipulation from Clement as he brainwashes his telemarketers with a series of slogans continually projected onto their gloomy office wall.

A cult leader’s inflated ego nearly always co-exists alongside a flagrant disregard for his subjects couched behind a veneer of charm and guile. This psychopathology is theorised to often stem from deep rooted feelings of anger such that other people become objectified to the extent that the cult leader experiences no feelings of guilt over their fates. This theory of suppressed rage may also explain Clement’s incredibly sadistic means of dispatching his victims; as Frank notes, he wants to watch them suffer and specifically wishes to see them burn alive. This is perhaps another thematic link to Gehenna since followers of Moloch, one of the false gods worshipped at the original site as referenced in the Hebrew Bible, used to sacrifice their children by fire. Furthermore Clement is another example of a highly organised killer, having his victims lured into his clutches whilst he looks on with night vision goggles before murdering them and disposing of their remains in a very specific and carefully orchestrated fashion.

Furthermore, the cult behind Gehenna International would be classified as a “destructive cult” in that it knowingly inflicts emotional and physical harm upon its own members, in this instance in a particularly violent fashion. It is a term sometimes extended in this new millennium to also include certain terrorist groups. Whilst the reference during the investigation by Mike Atkins to sarin attacks in Japan directly links to Aum Shinrikyo, practices of harm towards its own members are perhaps better exemplified by the history of the Branch Davidians. The belief in end of the world prophecies is common to both and another well-known attribute of such cults, exemplified here by Gehenna International’s ultimate design.

There is one further theme explored in this episode that is particularly pertinent to this column: that of the very source of evil itself. Brian A. Dixon recently discussed the introduction of the notion of Legion in his consideration of this episode in his Second Sight column, whilst the age old argument of nature or nurture was a point of discussion in the comments prompted by the very first edition of this column, witnessing the “birth” of a serial killer in “Broken World”. The brief representations of Clement as a demon and his eerie and knowing glares towards Frank even when he is hidden via one-way glass hint at the manifestation of some deeper evil power at work, a possibility Frank speaks of in the conversation with Catherine quoted at the top of this column. Catherine’s view is one more rooted in the developing field of psychology alongside science to explain such actions, whilst acknowledging that the debate on the subject continues. It is of course a dichotomy so superbly dramatised throughout Millennium and here personified in the enigma that is Ricardo Clement.

Kills: Unknown (at least 7)

Investigation: The investigation into Ricardo Clement and Gehenna International begins when quantities of ash dumped in the rose beds at a San Francisco public park are found to contain a human ear and then on further examination revealed to contain the remains of at least seven people. Traces of the gas phosgene lead to an abandoned dry-cleaning facility that suffered an accident some years previously, and a tooth found at this scene linking to a missing Russian first makes the connection to the cult via a letter sent by the missing man to his family six months previously.

Frank makes the connection to Gehenna International after consulting The Bible (and not for the last time in his work connected to The Millennium Group) back at home in Seattle. Sharing this with his mentor Mike Atkins, Frank unwittingly leads him into danger when Atkins decides to follow up this potential lead by investigating their facility alone. He barely escapes with his life but Frank’s hunch is proven correct, the cult is revealed and its leader, Ricardo Clement, is finally brought into custody.

Second set of items goes to auction!


Our second set of items for the Back to Frank Black Charity Auction has now gone live on eBay! This includes Lance Henriksen's personal script for Alien vs Predator! We also have items donated by Mark Snow and Kristen Cloke! Our eBay auction page will provide you with an overview of the items currently up for bid. The listing is as follows:

  1. Lance Henriksen's autographed script from Tales from the Crypt: "Yellow"
  2. Lance Henriksen's autographed script from Powder
  3. Lance Henriksen's autographed script from Alien vs. Predator
  4. An 8" x 10" autographed photo of Kristen Cloke
  5. A Millennium original soundtrack autographed by Mark Snow

Again, the cause is Children of the Night. The charity helps to save children from prostitution, a problem that people often associate with times gone by, and so horrible a concept it often gets ignored. Please help us help this fine charity and the poor children affected by this horrendous crime.

For more information, visit to childrenofthenight.org.

Your support is appreciated.

Happy Birthday, Joselyn Rojas!

Today marks the birthday of our very own vidder - to use the parlance of our times - the wonderful and talented Joselyn Rojas!

Joselyn's will be a familiar name to followers of this campaign as well as online fans of The X-Files, with her hugely creative talents frequently adorning both fandoms. As well as her occasional column Joselyn's Eye, in recent weeks and months alone she's brought a stream of fabulous videos to illuminate this very blog. To name but a handful, included amongst them are those celebrating the female leads of Millennium - Catherine Black, Lara Means and Emma Hollis - not to mention the impressive awareness video for our ongoing Children of the Night charity auction. The Back to Frank Black blog would certainly be less cinematic without her creative touch and, for that matter, our meetings would be altogether less colourful!

So, all of us here at Back to Frank Black would like to wish Joselyn Feliz CumpleaƱos and we invite you to do the same by joining us in telling her how wonderful you think her work is too in the comments section.

Second Sight: "522666"


“522666” (22 November 1996)

Writers: Glen Morgan & James Wong
Director: David Nutter
Editor: Chris Willingham, A.C.E.

Quote: “When I got the call I got so scared. I heard you that night, Frank, on the phone. Dr. Bowman says you have a mild concussion. But it’s not your body healing that worries me. It’s your spirit.” --Catherine Black


Overview: It’s well known that Glen Morgan and James Wong were less than enthused about the way in which Frank Black’s visions were occasionally utilized--as a sort of miracle plot device--during Millennium’s first season. Perhaps because of this, “522666,” the duo’s second episode for the series, eschews that sometimes gimmicky reliance on the hero’s visionary powers. Take a glance at our usual tally below and you’ll note that this episode features the fewest visions yet from our dauntless forensic profiler. That’s not to say that this story about a self-obsessed serial bomber is absent of the highly-stylized, dream-like sequences we’ve come to expect. For every mental show reel missed by Frank we are granted a further glance from the perspective of Raymond Dees. Not since “Pilot,” also directed by David Nutter, has an episode so extensively relied upon hallucinations presented from the point of view of the killer. Dees is forever anticipating or reliving the explosions he perceives as glorious art. The visuals in these sequences are undeniably upsetting, especially with references to incidents such as the Centennial Olympic Park bombing being bandied about. They serve to remind us of the great sacrifice that Frank Black accepts by willingly subjecting himself to the experience of such horror in the pursuit of villains like Raymond Dees.

One of the few visions that Frank Black does witness during the episode stands out as entirely unique. Lying in a hospital bed after being caught by the blast wave of an explosion, he experiences a sort of nightmare presented in the same cinematic fashion as his investigative insights. This sequence is different from what we are accustomed to, however, for mixed in with images of the victims of the recent bombings are the screaming faces of both Catherine and Jordan. Because of his impenetrable demeanor and tireless perseverance, it is sometimes easy to mistake Frank Black for a man who lives without fear. The startling nightmare he experiences while hospitalized in “522666,” coupled with the commentary that follows from his caring wife, serves as one of those subtle yet poignant moments in Millennium that remind us all that Frank fights on in spite of his fear, a consuming fear that is forever gnawing away at his psyche. By internalizing Frank’s visions for the first time, by using his mysterious gift for introspective purposes, Morgan and Wong once again manage to offer us a fresh perspective on our hero and his abilities. Here and in future installments, they continue to seek innovative uses for the dreams and visions of Millennium.

Connections: Frank’s introspective vision is reminiscent of the family-focused, fear-fueled nightmare experienced by Jordan in “Dead Letters,” also written by Glen Morgan and James Wong. Bomber Raymond Dees was recently profiled in Adam Chamberlain’s What the Killer Sees.

Trances in Total: 3 (0:11)

Gore Score: 1/10

Spotnitz podcast re-release (available on iPhone AND Android Apps!)


Back To Frank Black's chat to Frank Spotnitz is one of our earlier podcasts and one of our bests - thanks to Franks honesty and openness to those fundamental Millennium questions.


This is a re-release, but we are recording at exclusive interview this weekend with some big podcast plans for the future! Watch this space! Some good stuff to come!

This is available on our Iphone App and for the FIRST time, it is available on the Android application platform - the small fee incurred for these apps goes directly towards running the campaign. Occasional features and downloads are part of the service! In this podcast there is a bonus commentary from myself on this episode exclusive to app users!

If you don't have an app you can get hold of this episode by:


Or..



Available on iTunes: search for "BacktoFrankBlack" or "Millennium Group Sessions" and click subscribe!